Library…Still a Quiet Place

By Kerry Vash, Reference Librarian and WordUp QEP Writing Tutor

I agree with my colleague, Jonathan Best. One of the great joys of libraries is found in their function as social spaces.  We are inherently social creatures and having a space in which to express this facet of our humanity is truly important.  However, I would like to take a moment to also celebrate a more traditional aspect of libraries, which I believe still has great relevance and perhaps, even more so, due to our fast-paced, modern society – the venerable concept of the library as a quiet place.

Exactly where and when this revered concept of the library as a quiet place originated would be hard to trace, for it seems to have always been intrinsically tied to the very nature of the library.  For centuries now, school children all over the world have learned to lower their voices to the decibel of a whisper upon entering their local library.  Failure to comply with this conduct has long been associated with the shushing librarian figure, classically depicted as a female librarian, with glasses perched on nose, hair pulled back tightly in a bun, who was relentless in her pursuit to maintain this principle of quietude. However, in many ways, this enduring image seems to have done a disservice to libraries, associating this aspect with a sense of reproach that disenchanted many patrons. In all likelihood, most of the shushing librarians in real life were attempting to uphold a standard they found vital to the library’s purpose – to provide a quiet environment in which people could contemplate the knowledge of the world through the library’s array of resources. American author, Nicholas Carr (2008), emphasizes the importance these quiet spaces play in sustaining our capability for deep thinking:

In the quiet spaces opened up by the sustained, undistracted reading of a book, or by any other act of contemplation, for that matter, we make our own associations, draw our own inferences and analogies, foster our own ideas (para. 35).

Cultivating these types of quiet spaces would seem even more critical during today’s times. The rapid progression of technology, especially, the Internet, over the past few decades, has led to revolutionary changes in our society, with the most consequential changes occurring within our own minds.  Countless studies provide evidence that the Internet is changing the way we think, particularly our ability to focus and deeply contemplate a subject (Greenfield, 2009; Loh & Kanai, 2016).  As Carr explained in a 2015 interview with Carolyn Gregoire, which discussed the research from his book, The Shallows: How the Internet is Changing Our Brains,

…the price we pay for being constantly inundated with information is a loss of our ability to be contemplative and to engage in the kind of deep thinking that requires you to concentrate on one thing (para. 9).

It is clear from the research that the Internet is affecting one of the most fundamental aspects of being human: our capacity for contemplation. In addition, we are bombarded by the continuous stream of messages coming from our myriad technological devices to the point that it becomes difficult to even realize what we truly think about a topic anymore. This makes the fostering of quiet spaces, even more critical, as an avenue by which we can step away from this network of distraction to regain our focus and tap into our minds’ deepest treasures: our own thoughts.

Research on libraries also provides clear evidence of this need to sustain our quiet spaces. Most significantly, it is the patrons, themselves, who have voiced this need through various surveys. Bruce Massis (2012), Director of Libraries at Columbus State Community College, describes these findings:

…when library patrons are surveyed, sizeable numbers of respondents reveal that one of the principal motives for their use of the library is based on the timeless notion of its image as a refuge for peace and quiet and a retreat from the hectic nature of the everyday (p. 398).

One critical study even revealed that for many patrons, the option of quiet spaces in the library is nearly as important as having Internet access. A 2013 study conducted by the Pew Research Center surveyed 2,252 Americans on their usage of public libraries and found that 76% of the respondents thought that it was very important for libraries to offer “quiet study spaces”, a result only one percent lower than the percentage of respondents who said that “free access to computers and the Internet” was very important (Zickuhr, Rainie, & Purcell, p. 40).  Kathryn Zickuhr (2013), a research analyst at the Pew Research Center’s Internet Project, summarizes the various desires of modern library patrons, who continue to express their interest in having quiet spaces within the library:

If there’s one thing our research shows, it’s that there’s no one thing people want their libraries to be. They want their libraries to be lots of things, a place where they can study and meet with friends and attend meetings —and more.…But we do see some common themes, one of which is that quiet spaces are still an important part of what people expect from their libraries (para. 4).

At STU Library, we recognize this need for quiet places, where students can focus on their academic endeavors, which demand contemplation, particularly, the practice of critical thinking. The entire second floor of the library is designated as a quiet floor to foster this type of deep thinking in our students, as well as in our faculty and staff. Of course, there are no boundaries imposed upon the realm of thoughts.  Therefore, these spaces of stillness are also available for those who wish to spend time just wondering about the mysteries of our world, and the creative thinkers who need to let their thoughts roam free for a while, and those facing personal issues who just need a moment to reflect or pray, and those simply seeking a place of peace away from the frenetic pace of modern society…All are welcome into these quiet spaces.

Equally important, as this concept of the library as a quiet place, is the concept of the library as a social space that my colleague, Jonathan, previously described. At STU Library, we offer students a plethora of opportunities for social interaction, particularly on the first floor of the library.  The group tables clustered around the main foyer and just outside our front entrance, as well as the recent arrival of everyone’s favorite bagel destination, encourage conversations amongst friends and colleagues.  Our reference area, with is inclusion of several group study tables, also welcomes collaboration, although at slightly reduced volumes. For more animated collaborative study, group study rooms on the second floor can be checked out at the circulation desk.  The variety of events our library hosts in our foyer several times a month provides opportunities for patrons to engage with a diverse range of speakers and activities.

In the end, it is apparent that debating whether the library is a social space or quiet space is a futile effort. Matthew Battles (2012), Associate Director of metaLAB at Harvard University and author of Library: An Unquiet History, explains why viewing the library in such diametrical terms is completely unnecessary:

In their long history, libraries have been models for the world and models of the world; they’ve offered stimulation and contemplation, opportunities for togetherness as well as a kind of civic solitude. They’ve acted as gathering points for lively minds and as sites of seclusion and solace. For making knowledge and sharing change, we still need such places — and some of those, surely, we will continue to call ‘the library’ (para. 4).

At STU library, we honor the concepts of quiet space, social space, and as Jonathan discussed, “sacred space”, which recognizes the spirituality that connects our entire campus community together. Ultimately, libraries can help maintain their relevance in the modern era by continuing to seek feedback from their patrons in order to provide them with a comprehensive library experience that offers the varied types of spaces and services they both need and desire.

Warm regards,

Kerry

 

 

 

Library as Social Space

I’ve always considered libraries to be special places, places of intersection between theory and practice. Places where thought and idea are birthed through the joy of research and investigation. Libraries, alive and humming with the sound of discovery, are truly social in the fullest sense of the word. It’s thus a misnomer to describe libraries as a place of silence. The idea that libraries are like monasteries (and librarians are monks) is hard to shake. Even today it’s not unusual to see patrons enter libraries in almost reverential silence, as if to pay fearful respect to some unknown library god. Libraries as places of social activity, connection, and fun is still a foreign concept to some. This is very unfortunate, for it misses the real joy that comes from the library experience.

The joy of libraries originates from their function as a social spaces. A social space is a network of relationships, meaning that a library isn’t a thing. Rather a library is place of relationship and interaction, a home for the lived interactions and exchanges between students, faculty, and staff. A library is therefore a lived spaced produced by the patrons. Yes there is a physical building, but this is not what makes a library. Libraries are products of people, their relationships and exchanges. We do not enter a library, rather we live into it. Describing social space, twentieth-century French philosopher Henri Lefebvre writes,

Humans as social beings are said to produce their own life, their own consciousness, their own world. There is nothing in history or in society, which does not have to be achieved and produced. – The Production of Space, (1991), 68.

I believe that a library exists through the lives of the students, faculty, and staff that make it so. The St. Thomas University Library models this idea. It’s relationship given physical form, a relationship that connects the diverse people and groups that make up the character of the STU Library. Consequently, the STU Library is the result of years of action and relationship. Places like the STU Library don’t just happen overnight. It’s the cumulative effect of years of interrelationship and fellowship that extends far beyond a building. The STU Library’s social space is a meeting place of the past and present, a commingling of relationships old and new that thus point to a ever growing and evolving future. As such, while faces have changed and some are no longer with us, the brightness of our future is built on the heritage of our past. The STU Library is a place that endures because of its history.

All who enter that social space are quickly transformed by it. Lefebvre suggests that

The space of society, of social life…all ‘subjects’ are situated in a space in which they must either recognize themselves or lose themselves, a space which they may enjoy and modify. – The Production of Space, (1991), 35.

I know it transformed me. Though I am still new as the Outreach and Instruction Librarian, I’ve been at STU for over five years. As I reflect on my time at here, I realize now that my history is now irrevocably bound to the history of the Library. It’s a social space that has changed me as a theologian, librarian, and more importantly as a person. It’s a place where students are put first, an attitude I’ve subsequently tried to adopt as both a librarian and a teacher. After all, it’s the students that make STU Library such a special place. It’s STU Library’s commitment to students and the belief that a library can be fun, which transforms physical space into social space.

As a librarian, I revel in the social space the Library offers. I believe it’s part of the reason that I can’t seem to leave. The joy of research, fellowship, and comradery make it hard to leave this place. Yet, speaking also as a theologian, this social space is also sacred space. There is something sacred about study and research, especially in the way it opens our minds to unknown possibilities, thus connecting us to the wonder of being. French spiritualist and philosopher, A.G. Sertillanges, OP writes,

Truly to study a thing means evoking step by step the sense of all other things and of their solidarity – mingling in the concert of all being, entering into union with the universe and with oneself.- The Intellectual Life, (1998), 137.

What makes the STU Library sacred space is the way in which study, fellowship, and fun connect students, faculty, and staff. The rituals of the library create the extraordinary out of the ordinary. Students can study anywhere, but I believe what draws students here isthe way study and academics are transformed from the ordinary to the extraordinary. It also makes it the perfect place for a theologian to reside. As an intersection between life, culture, and study, the culture at the Library is one that fosters spirituality.

My advice, find your sacred space and live into it. Beginning your search at your local library is probably a good place to start.

Cheers,

Jonathan

A Joy Forever: Favalora’s Legacy

“Art enables us to find ourselves and lose ourselves at the same time.”

Spiritualist writer Thomas Merton coined this phrase, and it perfectly encapsulates the feeling I get whenever I visit the John C. Favalora Archive & #Museum located within the St. Thomas University Library. I found a plethora of eye-catching pieces on one of my recent visits:

  • A rapier that was held by one of the knights serving under Pope Gregory XVI in 1831
  • A monstrance collected from the Church of the Resurrection
  • A woven banner depicting the Lady of Guadalupe
  • The ceremonial headdress worn by Archbishop Coleman F. Carroll

Different museums feature pieces of art and history, but I like to believe that the two go hand-in-hand. The St. Gregory Knights rapier is intricately sculpted with attention to the stylized shapes seen in regal crown designs, and the cover of St. Anthony Church’s missal dazzles with its gold-plated hieroglyph aesthetic.

popes ensemble
Archbishop Coleman F. Carroll’s headdress, missal, and chalice

Displays in the Museum are presented in cubic UV glass cases that protect the more valuable exhibits. Specialized lighting is used for banners and statues, and ventilation is controlled in order to prevent artifact oxidation. Museum staff makes layout alterations every four to five months. There are also two sub-galleries used for exhibits that alternate at a much higher frequency. Among the excellent staff members who keep the Archive & Museum in check are the Assistant Archivist, Julia Ricks, and the Museum/Library Acquisitions Coordinator and Budget Assistant, Isabel Medina.

Past Museum Exhibits

Past museum exhibits include His Holiness Pope Francis Visit to Israel 2014 Photography Exhibition, which opened in May 2016, and three photographic exhibits as part of the Library’s and the Archive & Museum’s Latino Americans: 500 Years of History festivities in September 2015. One of the Archive & Museum’s upcoming exhibits will depict Mother Teresa’s visit to Miami.

Connect with the Archive & Museum

The Archive & Museum is steadily developing an expanded cache of photos and information on its five social media sites, so check them out on Facebook, Twitter, Pinterest, and Instagram. The Archive & Museum also has a blog. If you like what you see from my coverage, they’re definitely worth checking out.

This post was authored by Jonluc Borno, a Communications Major and Social Media Intern at St. Thomas University Library who works with the Outreach Librarian, Nina Rose.

MyLibraryPicAward

#MyLibraryPic Winner!

MyLibraryPicAward

St. Thomas University Library was randomly selected as an official prizewinner in the Cengage Learning #MyLibraryPic Photo Sweepstakes. We won $150! This is the winning pic, taken by our Social Media Intern, Jonluc Borno, who works with the Outreach Librarian, Nina Rose. Jonluc wrote about the photo in this Facebook post. It’s an Opticon compact Bluetooth scanner that our staff uses to inventory our print collections—a little tool that makes the job a lot easier. Now Jonluc and Nina get to go shopping for a great outreach tool!

Women’s History Month @ STU Library

WHM-Event3CollageCheers to a new Month! This March, St. Thomas University Library is hosting a few great events to celebrate Women’s History Month.

Scholarly Publishing and Collaboration

Starting on Tuesday, the very first day of March, at 2.p.m., Dr. Xuan Jiang, St. Thomas University Assistant Professor of Teaching English to Speakers of Other Languages, will be discussing her research journey, research agenda, and collaborative writing and publication. “Collaborative Re-writer: A Novice Scholar’s Publication Story” will be held in the Library Atrium at St. Thomas University.

Story of the Hispanic Woman Grammy Nominee

Following that event, on Thursday, March 3rd, at 2 p.m. in the Library Atrium, the Library will present “The Story of the Hispanic Woman Grammy Nominee Luisa María Güell.” Music artist Güell will share her personal stories, play a few of her songs, and show portions of a documentary about her life as a Cuban exile.

Women’s Place at the Peace Table

A week from that event, also honoring Women’s History Month, Wednesday, March 9th, from 5:30 p.m. to 7:30 p.m., also in the Library Atrium, there will be a film screening of Pray the Devil Back to Hell, with an introduction by Dr. Judith Bachay, St. Thomas University Professor and Director of Graduate Counseling Programs. A winner of the Best Documentary award at Tribeca Film Festival and Official Section of Sundance Film Festival, the film tells the story of how thousands of Liberian women, both Christian and Muslim, came together to pray for peace and then organized a silent protest in front of the Presidential Palace, pressing for an end to the civil war. Their actions propelled peace talks forward and ultimately brought about an agreement.

Light refreshments will be served for all three events. You don’t want to miss out on this series!  There’s a seat waiting for you. More details on the Events tab on the Library’s Facebook Page. Can’t wait to see you there!

Black History Month 2016: Local History, Sports History

In celebration of Black History Month, St. Thomas University has organized some great events in the University Library. We have also curated a selection of books and films—“The Black Experience in American History”—on display now in the Library Atrium. Here’s what to look for in February:

“The Black Miami”

BHM-BlackMiami4The Black Miami: Film Screening and Panel Discussion will take place on February 17, 2016, from 3 p.m. to 5 p.m. in Convocation Hall. Hosted by St. Thomas University Library, the Center for Community Engagement and the Department of Student Affairs, the event will include a screening of The Black Miami documentary, produced by Carlton Smith, Michael Williams, and Dr. Marvin Dunn, based on the 1997 book Black Miami in the Twentieth Century by Dr. Dunn. The documentary features interviews with Dr. Dunn as its chronicles the importance and significance that Blacks have played in the history of Miami.

Following the film, there will be a panel discussion led by moderator Lutze B. Segu, Program Director for MCCJ, an organization whose mission is to advance understanding and respect among all cultures, religions, and races. The featured panelists are Dr. Marvin Dunn, Prof. Arthur Holmes, Sr., and Lashura Batten. Dr. Dunn is a renowned historian, author, documentary film producer, and lecturer. Prof. Arthur Holmes, Sr., is an instructor in the School of Professional Studies at St. Thomas University and program coordinator and director for the Bachelor of Science in Fire and Emergency Services program. Lashura Batten is Program Coordinator of Keep Miami Gardens Beautiful in the Public Works Department of the City of Miami Gardens, and a St. Thomas University alumnus. The audience will have the opportunity to ask questions of the panelists. Light refreshments will be served.

History of African American Sports Series

BHM-SportSeries3The next event will be The History of African American Sports, a two-day event series. The first event will be held on Tuesday, February 23, 2016, from 12 p.m. to 2 p.m., titled Althea Gibson: Trailblazer and Tennis Legend and a PBS Film Screening, with an Introduction by Coach Bruce Carrington. On the very next day, Wednesday, February 24, 2016, from 12 p.m. to 2 p.m., there will be a discussion on The History & Significance of African Americans in Sports, featuring St. Thomas University’s Head Tennis Coach Bruce Carrington, Head Men’s Basketball Coach Patrick Gayle, and Head Women’s Basketball Coach Albrey Grimsley. Hosted by St. Thomas University Library and the Department of Student Affairs, these events will be held in the Library Atrium. Light refreshments will be served.

Books and Films

Feel free to check out our Black History Month book display in the Library Atrium filled with awesome historic books, including books authored by Dr. Dunn and a shelf on African Americans in sports. Of course there’s not enough room for all of them so don’t forget to check out our full collection of Black History Month books and films. Also, follow us on Pinterest and scroll through our Black History Month pin board for interesting facts, posts, and activities.

For information contact Nina Rose, Assistant Library Administrator and Outreach Librarian, 305-628-6665, nrose@stu.edu

On Exhibit: Earth from Space Posters

On display at St. Thomas University Library until May 14, 2016, Earth from Space is a poster exhibit that features images and text from the popular Smithsonian Institution exhibition of the same name. Earth from Space was developed by the Center for Earth and Planetary Studies at the National Air and Space Museum and was curated by geographer Andrew Johnston. The poster exhibit is made possible by a partnership between The Smithsonian Institution Traveling Exhibition Service and the U.S. Geological Survey.

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About the Posters

The 20 posters present large images of the Earth shown from space, color reproductions of images that are captured by satellites that circle the globe recording the conditions and events that occur on the planet’s surface. The rare views of events such as dust storms, forest fires, volcanic eruptions, and Florida’s favorite, hurricanes, are accompanied by text that explains how satellite imagery is gathered and used to explore the Earth.

Educational Tie-Ins

The imagery of the Earth captured in this poster exhibit touches on geography, environmental studies, ecology, oceanography, and meteorology. There are many educational resources and activities available on the “Earth from Space” website, such as lesson plans that will be engaging and helpful in the classroom. The lesson plans range from grades 5 to 12. The Earth Exploration Toolbook contains a chapter called “Annotating Change in Satellite Images” that walks readers through a technique for documenting change detected in before-and-after sets of satellite images. Each lesson plan includes classroom materials tied to National Science Standards. Other related resources include an Earth from Space video produced by NASA and another video of the same title produced by NOVA.

Feel free to stop by the Library to view the images of Earth from Space.

This blog post was authored by Yva Audate, a St. Thomas University undergraduate student who works as an assistant to Librarian Nina Rose.

University Library Joins Catholic Research Resources Alliance

St. Thomas University Library and the Archbishop John C. Favalora Archive & Museum have joined the Catholic Newspapers Program of the Catholic Research Resources Alliance (CRRA). The CRRA is a nonprofit alliance of institutions collaborating to deliver projects and services in support of its mission—”to provide enduring global access to Catholic research resources in the Americas.” The CRRA initiated the Catholic Newspapers Program in 2011 “to provide access to all extant Catholic newspapers published in North America.” Metadata Librarian Jessica Orozco of St. Thomas University Library and Assistant Archivist Julia Ricks of the Archbishop John C. Favalora Archive & Museum will spearhead the university’s involvement in this program.

Catholic Newspapers Program

Initiatives of the Catholic Newspapers Program include creating a comprehensive database of information about North American Catholic newspaper collections on International Coalition on Newspapers (ICON), collaborating with its partners on the digitization of newspapers identified as being a priority, encouraging local newspaper digitization projects, and developing a shared repository for Catholic newspapers. Its latest initiative, Vatican II Years (1958-1972), involves the digitization of nearly 250,000 pages from 11,700 issues of designated Catholic newspapers that chronicled the events surrounding The Second Vatican Council. The CRRA also maintains a list of Catholic Newspapers Online.

Relevance of Catholic Newspapers

Catholic newspapers are not well-represented in commercial and public digital databases of historical American newspapers. Yet, they are relevant to an array of issues across disciplines, including topics such as class formation, ethnicity, adaptation to new environments, religious discrimination, charitable work and social justice, school systems, and hospitals. Catholic newspapers in the United States have also played a critical role in communicating with and welcoming new immigrant groups.

St. Thomas University’s Catholic Newspaper Collection

VoiceHeadlineSt. Thomas University Library has digitized all issues of The Voice weekly newspaper of the Archdiocese of Miami and its two-page Spanish-language insert La Voz Catolica. The Voice was published as the official newspaper of the Archdiocese until November 1990, when it merged with the Florida Catholic, which serves the archdioceses of Miami, Orlando, Palm Beach, and Venice, Florida. The Library’s digital collection of The Voice contains the complete run, spanning from March 1959 to October 1990, the final issue of The Voice. The digital collection of La Voz includes issues from 1990 to 2015, with some missing volumes. The Florida Catholic is also archived by the Library, with digital copies available from 2009 to 2012, and 2015, with gaps for the years 2013 and 2014. The Library also holds print copies of these newspapers.

The Library and Archbishop John C. Favalora Archive & Museum are also in the process of digitizing photographs from The Voice and La Voz Editorial Photograph Collection and making them accessible on Shared Shelf Commons. To view the photographic collection, on the Browse page of Shared Shelf Commons, scroll down to St. Thomas University: The Voice, and double click the link to view the images. The Library is also currently in the process of building its collection of The Voice newspaper on the Shared Shelf platform, accessible from the St. Thomas University: The Voice Serials Collection link on the Browse page. Double click, and enjoy!

This blog post was authored by Yva Audate, a St. Thomas University undergraduate student who works as an assistant to Librarian Nina Rose.

Cuba’s Patroness Turns 100

Our Lady of Charity is a symbol of Cuban nationality and Catholic adoration. This year, we celebrate the centennial year that Our Lady of Charity of Cobre (La Virgen de la Caridad del Cobre) was declared the patroness of Cuba by Pope Benedict XV in 1916.

Lady of Charity Panel event posterVirgen of Charity Sighting 

The story behind Cuba’s patroness dates back to approximately 1608, when two brothers, Rodrigo and Juan de Hoyos, and a ten-year-old slave boy named Juan Moreno—known as the “Three Juanes”—were travelling by boat in search of salt to preserve meat for the copper miners. After a terrible storm, they saw a statue of Our Lady floating on the Bay of Nipe on a small board in front of them. The board read “I am the Virgin of Charity.” Shortly after, a shrine was built in El Cobre, Cuba, and it became a pilgrimage destination.

Our Lady as Patroness of Cuba

On September 14, 1915, veterans of Cuba’s War of Independence requested that Pope Benedict XV name the Virgin of Charity of Cobre as the patroness of Cuba. The pope proclaimed her as Cuba’s patroness on May 10, 1916. As seen on popular statues, Our Lady of Charity represents the Cuban flag with her white robe and blue cloak as she holds a child wearing red.

Our Lady of Charity Photograph Exhibit

The University Library curated an exhibit of photographs related to the devotion of Our Lady of Charity in Miami from The Voice/La Voz Newspaper Editorial Photograph Collection. The exhibit, La Virgen de la Caridad: Images from the Diaspora, is currently on display in the Archbishop John C. Favalora Archive and Museum in the University Library. In May 2016, this exhibit will travel to La Ermita de la Caridad in Miami, the National Shrine of Our Lady of Charity, which sits across the sea from the shrine in El Cobre, Cuba.

Our Lady of Charity Panel Event

On Saturday, January 23, 2016, from 1:00pm – 4:30pm in Convocation Hall, St. Thomas University Library and the Florida International University Cuban Research Institute are hosting a panel discussion on the history and popular devotion surrounding Our Lady of Charity. The event is titled “La Virgen de la Caridad: Historia y Devoción Popular.” Panelists are Father Jorge Catasus, noted musician and authority on music associated with Our Lady of Charity, from Bayamo, Cuba Emilio Cueto, author of La Virgen de la Caridad en el alma del pueblo Cubano; and Dr. Olga Portuondo Zuiga, Professor of History in Santiago, Cuba, and author of La Virgen de la Caridad del Cobre. The event will be conducted in both English and Spanish.

This blog post was authored by Yva Audate, a St. Thomas University undergraduate student who works as an assistant to Librarian Nina Rose.

Gyotaku Printing Workshop

fish printing workshop flyerOn November 17th at 11am, Jaclyn DeMarzo from the Morikami Museum and Japanese Gardens will be hosting a fish printing workshop in the Library Atrium at St. Thomas University Library.  Gyotaku is a Japanese technique of fish printing. During the 1800s, many fishermen in Japan used this method in order to keep track of their records/catches. The fishermen would lay the fish down, cover it in ink and lay a piece of “rice paper” onto the fish. Once the paper is removed, a replica of the fish would appear on the paper.

For those who are interested in attending this workshop, please contact Nina Rose at nrose@stu.edu to reserve a spot. Printings will be up for display in an exhibition in the Archive & Museum.  For examples and step-by-step instructions on Gyotaku Printing, please visit our Pinterest board at https://www.pinterest.com/stulibrary/

This event is presented by St. Thomas University Library in celebration of Asian Heritage Month.